论庄子之“大”与朗加纳斯“崇高”的汇通

On Convergence of Chuangtzu's "Big" and Longinus' "Sublime"

在先秦典籍中“大”这一范畴具有不同内涵。与先秦其他各家不同,庄子诗学思想中的“大”超越了伦理层面的道德意义而更具有审美层面的内涵,与处于西方文明源头的朗加纳斯的崇高范畴具有汇通意义。位于人类文明早期的朗加纳斯和庄子在各自文化的源头确立了崇高在社会及艺术创作中的地位,是对人的自由精神的一次提升,是对人超越现实要求的肯定。

In this thesis, the author makes a distinction between different categories of Big in the pre-Qin literature. The Big in Chuangtzu＇ s poetics transcends the moral meaning, and bears the connotation of aesthetic level and can be integrated with the Sublime of Longinus＇ works. Longinus and Chuangtzu living in the early civilization of mankind established the position of sublime in their society and art creation, which sublimes the human free spirit and confirms the promotion of the status quo.