论《二十四诗品》中的“幽人”与《庄子》中的“真人”

Comparison Between the Immortal in Zhuang Zi and the Eremites in Twenty-four Poetic Styles

司空图的《二十四诗品》中的“幽人”意象和《庄子》中的“真人”意象相承一脉,且前者是对后者在诗歌品评领域的更加具体的阐发。这两个存在于两部经典中的人物意象,在从艺术创作中的意象思维,从道家思想的天人宇宙境界,从庄子所谓“游”之“游目”与“游心”两层次等的相关方面都存在着很强的可比性。通过这种比较,也能发现在以《庄子》为典范的中国道家美学中,人及其心灵作为主体,在追求美、建构美的过程中的中心地位。

The image of eremites in Twenty -four Poetic Styles is the continue development of the image of the Immortal in Zhuang Zi. And the image of eremites is special for the criticism of poesies. On these two images, the paper gives an analyse from the issues of image in literature criticism, the theory of universal real and Taoism＇ s ＂Xinyou＂ and ＂Muyou＂ as two standers in Zhuang Zi. And it also tries to discourse the roll of human beings in the course of seeking and founding beauty of the Taoism described in Zhuang Zi.