小舞台上大技巧——陕南民间歌舞小场子艺术价值之初探

The Big Skill on the Small Stage——Probe into the Artistic Value of A Folk Dance of Southern Shaanxi

陕南民间歌舞小场子主要流传于地处陕西南部、汉江上游的安康。其表演形式独特,一旦一丑以三尺见方的桌子为舞台,在锣鼓拖腔伴奏中说、唱,唱腔以陕南民歌八岔为主,表演诙谐生动。小场子的产生与发展,所依赖的文化背景是安康融南汇北、个性鲜明的移民文化。其形成与发展经历的是和其他民间歌舞、民间戏曲一样的衍变过程。小场子与其他地方歌舞相比较,有着明显差异,即:八仙桌面上跳舞、歌唱、演故事,舞蹈组合中的精粹部分“三缠腰”、“三见面”、“三碰头”等,丑角耍草帽圈,30多种帽花转身即变,独此一家。

Xiao Changzi, the small performing place, a folk dance is very popular in the south of Shaanxi and the upper reaches of Hanjiang river because its unique performance in which a clown and a female character play on a small table. In the accompaniment of the traditional percussion instruments, gong and drum, the players sing and talk vividly and wittily with the Ba Cha as its main tune. The origin and development of this special art is derived from the unique immigrant culture which harmoniously merges the cultures of north and south of Ankang. But, on the one hand, like the other folk dances and operas, it evolves from the traditional form, on the other hand, it apparently differs from the other folk dances.