后现代多维空间与文学间性——德勒兹后结构主义关键概念与当代文论的建构

Postmodern Multi-dimensional Spaces and Literary Intertextuality——Deleuzean Key Concepts of Poststructuralism and the Construction of Contemporary Literary Theory

在电子传媒时代和文化数字化的语境下,当代学术领域的“空间转向”蕴含着哲学思维范式的嬗变与文艺美学的焦点转移,因而具有重要的理论意义。后现代多维“空间”,尤其是主导性的赛博空间呈现出万花筒般的多元、开放、流变的特征,与后结构主义一些重要概念相契合,其中有“20世纪最重要的空间哲学家”之誉的法国思想家德勒兹的美学思想具有特殊的价值。他和加塔利所创造的“千高原”、“块茎”、“褶子”等后结构主义关键概念有助于我们反思当今的后现代理论空间、互文性空间、赛博空间和新巴洛克美学空间,从而对拓展和建构当代文论产生积极的意义。

In the era of electronic media and the context of cultural digitization, the ＂spatial turn＂ in the contemporary academy connotes the paradigmatic change of philosophical thought and the shift of aesthetic focal point, thus it has the important significance in theory. Like the kaleidoscope, the characteristic of multivalence, opening, and flow in the postmodern multi-dimensional ＂space＂, in particular in the dominative cyberspace, agrees with some important concepts of poststructuralism. Among them, the aesthetic thought of French thinker Deleuze who has the reputation ＂ the most important philosopher of space in the 20th century ＂ has special value. The poststructuralist key concepts, such as ＂a thousand plateaus＂, ＂rhizome＂ and ＂fold＂ created by Deleuze and Guattari, are helpful to us for reconsidering the postmodern spaces of the theory. Intertextuality, cyberspace and Neo-Baroque Aesthetics, thence, it has the positive significance for accelerating the construction of contemporary literary theory.