摘要
新时期的诗歌创作曾一度将诗语的典雅奇异推向一种极致,随后开始了面向生活语言的俗化的回归,一直发展到当下的“口水诗”,走到了另一个极端。与此同时,以歌词、短信等为代表的社会生活俗语,却出现了全面诗化的现象。诗语俗化和俗语诗化的文化背景和动因,可以概括为诗的娱乐化和娱乐的诗化。一方面,俗语作为娱乐的一部分需要审美的诗意元素的参与;另一方面,诗歌为了迎合娱乐和市场的需要则选择了全面俗化,诗语的俗化正是其中的一个重要侧面。
The composition of poetry once pushed the elegance and fantasticality to the acme in a new period, and then started to go back to forward folk language and live language till "slobber poem". Meanwhile folk languages, such as lyrics, automobile message, etc. were totally versified, which was known as amusement of poem and versification of amusement. On the one hand, folk language needs aesthetic dement; On the other hand, poem needs folk dement, to cater to entertainment and market.
出处
《哈尔滨工业大学学报(社会科学版)》
2007年第2期127-130,共4页
Journal of Harbin Institute of Technology(Social Sciences Edition)
基金
黑龙江省教育厅人文社会科学研究项目成果(10554113)
关键词
诗语
俗化
俗语
诗化
poem language
vulgarizatlon
folk language
versification