摘要
“童心说”是明代学者李贽提出的一个著名美学观点。文章主要从三个方面对它进行了新的阐释:(1)艺术家心理结构与儿童心理结构的同构性。二者心理结构的同构性主要表现在:真诚、非理性、陌生化、幻想、联觉。(2)艺术家童心的发生机制。艺术家永葆赤子之心,有其生理、心理的原因。(3)童心对世俗心理超越的意义。童心对抵御人类过度社会化、理性化有着重要的意义。
"Childish heart theory" is a famous aesthetic idea which was proposed by Li- Zhi, a leamer in ming Dynasty. This essay explained it in three aspects: (1) The analysis of same structure between artists' psychological structure and childtens' psychological structUre. The same structure quality in both psychological structures mainly presented sincerity, insanny, strangeness, illulsion, and synaesthesia. ( 2) Arlists' feeling system of childish heart. Artists keeping the heart of a newbom baby has physical and psychological reasons. ( 3 ) The sense of childish heart exceeding secular psychology. Childis hheart is very imponant to resist man oversecular and insane.
出处
《安顺学院学报》
2007年第1期12-16,42,共6页
Journal of Anshun University
关键词
童心说
美学
同构
阐释
Childish heart theoly
aesthetics
same structure
explanation