摘要
宋代对白居易的诗学批评,以“元和体”(“白体”)为突破口,复兴了白居易诗歌及理论的现实主义主张,重新体认了元和体“自适旷达”风貌的矛盾性。对白居易的批评视野的开拓,也加快了宋人梳理白诗题材的脚步。正是在对白居易的诗学批评中,宋人开启了建构“宋调”的大门。
The criticism on Bai Ju-yi by poetry of Song Dynasty is based on the crisis on 'Yuan He Ti'. The critisism rejuvenated the Bai Ju-yrs realism theory, revealed the contradictory of 'self-relax and.tolerant' of 'Yuan He Ti'. The boundary of Song Dynasty's criticism is larger than before. They generalize the content ofBai Ju-yi's pgetry unconsciously. The criticism on Bai du-yi play an important part in forming 'Song Diao'.
出处
《铜仁学院学报》
2007年第1期25-29,共5页
Journal of Tongren University
关键词
宋代诗学
诗论
元和体
白居易
poetry of Song Dynasty
'Yuan He Ti'
Bai Juoyi