摘要
以往通常从题材的突破、新技法的运用以及创作观念和程式的改变等方面来阐释印象派绘画的革新。文章通过对印象派之前包括评论家在内的观众的视觉经验和印象派绘画所提供的视觉感受的比较,说明印象派绘画革新的真正本质是印象派画家们用新的视觉图式对公众的审美习惯和视觉定式进行挑战,最后成功地把他们的视觉感受变成了观众的观赏经验。
Innovation of impressionist school of painting was illustrated from the aspect of breakthrough of topics, application of new techniques and change of creative views and procedures in the past. This paper holds that the nature of innovation of impressionist painting school is that painters of impressionist school challenge with public's aesthetic and sight convention and finally tunas their sight feeling to audience's appreciative experience by contrast of sight experience of audience including critics before impressionist school and sight feeling supplied by impressionist school of painting.
出处
《三明学院学报》
2006年第3期311-315,共5页
Journal of Sanming University
关键词
印象派
绘画
视觉
革新
impressionist painting school
institute school
sight experience
sight manner
innovation