摘要
法兰克福学派是西方马克思主义的重要流派,他们继承了马克思关于人的自由和完善的理论,一直致力于人的解放和全面发展的理论研究。当下是人的感性欲求大行其道的时代,而人的完满自由的目标非但没有实现,反而日益遥远。阿多诺是法兰克福学派的代表人物,一生着力于文化艺术的批判和审美反思。他反对作为纯粹感官享乐的艺术,强调艺术的真理价值,强调艺术的自律性和社会批判功能。在他那里,我们可以找到许多对当今日常生活审美化中快感享受泛滥进行反思的具有启迪意义的思想资源。
Frankfurt School is an important sect of western Marxism, which has inherited Marxist theory on man's freedom and perfection and engaged in the study of man's liberty and all-round development. Ours is a time in which man's sentimental desire fires and man's target for a perfect freedom is far from being achieved but worse. Adorno is a representative of the Frankfurt School who has devoted all his life to the cultural and artistic criticism and aesthetic reflection. He opposes the art as a pursuit for pure sensual pleasure, emphasizes its truth-value and its self-discipline and social function of criticism. From him we can find lots of ideological resources with enlightening significance to reflect on the unchecked pleasant sensual enjoyment in the everyday life aesthetics at present.
出处
《内江师范学院学报》
2007年第1期107-109,共3页
Journal of Neijiang Normal University
关键词
日常生活审美化
快感享受
阿多诺
真理价值
everyday life aesthetics
pleasant sensual enjoyment
Adorna
truth value