摘要
王维常乐于禅,禅宗哲学的人生观、宇宙观和方法论内化成为王维的审美追求,外化则成就了他的诗歌创作,他深得禅家“不二法门”、“色空相即”三昧,故而其诗意象空灵、境界清幽,明秀的诗境中既有宁静的画面又有灵动的情韵,能于空静中传出动荡,平淡中透出幽深。受南宗禅“不立文字”的影响,王维做诗追求言外之旨以期达到对文字的超越,这使得其诗超旷空灵,如水中月、镜中花,羚羊挂角,无迹可寻,所谓“超以象外”、“得其环中”。
This paper aims to discuss the impact of Zen doctrine on Wang Wei＇s poems depicting mountains and rlvers.The author argues that Wang Wei was addicted to Zen and therefore its philosophy of life, view on cosmos and methodologies were internalized as the poet＇ s aesthetic objective ,which in turn made him a great man of letters. Deeply influenced by Zen principles, his poetry is characterized with transcendental images, profound worlds and ease of the mind.
关键词
境界幽远
意象空灵
不立文字
顿悟
动静相称
profundity
transcendence
reliance not on letters
sudden enlightenment
combination of motion and stillness
