日本江户汉诗与晚明公安派文学

A Comparison Between Chinese Poetry in the Edo Era and Gongan School

公安派文学传入日本后,以僧元政的接受为肇始,中经山本北山和江湖诗社等的鼎力宣导,日本汉诗界因之而变革持续近80年的萱园学派复古之风,提倡“性灵”,纷效宋元作清新之诗。公安派文学对日本汉诗坛的影响几乎贯穿整个江户时代,它对诗坛的贡献不止于引发一场诗风的革新,更令日本诗人们在其重视个性创造的诗学观念的启示下走出一条自给自足的本土化道路。

The Gongan school of writers, which is first accepted by monk Gensei and further developed by Hokusan YamamOto and Kouko Poetry Club, has revolutionized Chinese poetry written by Japanese. With their emphasis on ＂natural disposition＂, Japanese poets, turning to Song and Yuan Dynasty poetry, tried to imitate the classical Chinese poets in creating a new style poetry. The Gongan school＇s influence upon Japanese poetry can be felt throughout the Edo Era, and it has brought the Japanese poetry a new road to serf-indepondent localization thanks to its enough attention to the poets＇ individualization and creativity.