运纯熟诗法 融绝妙画技 成鲜明之境——王维“诗中有画”艺术纵向分析

Vivid State with Skillful Versification Means and Perfect Drawing Technique——Analyzing Wangwei's Painting-in-poetry from the Vertical

关于“诗中有画”,学术界比较倾向于认为它是指在诗中呈现出一种情景交融的意境。而事实上,“诗中有画”存在于两个层面:创造和接受,同时还有一个前创造层面。从这个角度来分析王维的“诗中有画”,我们可以发现,其独特之处正在于他运纯熟诗法,融绝妙画技,成鲜明之境。

Academia is inclined to agree painting-in-poetry is artistic state that feeling and setting happily blended in the poem. There are two kinds of painting-in-poetry： created-aspect＇ and accepted-aspect＇s. In addition, there is one kind on creation-ago aspect. Analyzing Wangwei＇s painting-in-poetry from the vertical, we can know that its uniqueness is vivid state using skillful versification means and perfect drawing technique.