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立体主义的文化符号——詹姆逊现代主义问题研究

The Cultural Sign of Cubism——Research of Jameson's modernism issues
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摘要 由毕加索发明的立体主义风格,作为现代主义在绘画领域的第一场运动,经历了从早期对现代化和工业化的歌颂到后期对古老传统的回归的转变。其一以贯之地打破和重组整体,从多重视角展现新的时间观念、表达对乌托邦理想孜孜不倦的追求同时,也陷入了现代主义因远离现实、自我指涉而无法表达的窘境。通过对这一典型风格的意识形态批判分析,不仅能够还原现代主义主观孤立的表面背后真实的历史,也能为今天面临的文化转向提供新的借鉴意义。 The cubism style established by Picasso, as the first movement in the field of painting of modernism, go through from early extolling modernization and industridization to later return to old tradition. It affords to run through it all, and represents the new concept of time, and pursuit diligently of Utopia ideal correctly of expression from the multiple visual angle at the same time, have fallen into the awkward situation that modernism cant be expressed because of being far away from reality, point and involve in too. Through the ideological analyse to this typical style, it can reduce modernism subjective isolated true history under surface not merely to criticize, but also can offer the new reference meaning for the changes that the culture faced today.
作者 赵伟
出处 《合肥学院学报(社会科学版)》 2007年第2期103-107,共5页 Journal of Hefei University:Social Sciences
关键词 立体主义 物化 透视 多重视角 诉说 格尔尼卡 乌托邦 cubism reification perspective multi-angle narration Guernica Utopia
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参考文献2

  • 1詹姆逊.后现代主义与文化理论[M].北京:北京大学出版社,1997..
  • 2[7]罗兰特·潘罗斯.毕加索生平与创作[M].北京:人民美术出版社,1986.440.

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