摘要
毛泽东的离别诗词不多,但个性特征极其鲜明。《七古.送纵宇一郎东行》和《贺新郎.别友》两首诗词十分鲜明地体现了毛泽东自己“偏于豪放,不废婉约”的理论,也说明诗人创作心绪的多样性和创作手法的多样化。风格是作家创作走向成熟的标志,是艺术家希望企及的最高境界,从风格角度深入剖析并揭示其内在蕴含,是摆在毛泽东诗词研究者面前的一个十分诱人的课题。
Mao Zedong' s poetry is not apprehensive, but very distinct personality. "Qi Gu Yu ? longitudinal sent formal congratulations" and "groom? eastbound other" Friends of two of Mao Zedong' s poetry reflects his clear - cut "somewhat uninhibited. Others do not waste " theory, it also shows that creative mind of the poet' s diverse creative expression and diwrsity. Writers mature style is a hallmark of the artists hope, and it is the highest level, from the perspective of style and reveal its inner- depth analysis contained. Researchers in front of Mao' s poems is a very attractive subject:
出处
《湖南工业职业技术学院学报》
2007年第1期78-81,共4页
Journal of Hunan Industry Polytechnic
关键词
毛泽东
诗词
豪放
婉约
Mao Zedong
poetry
passion
others