摘要
作为现代传媒之一种的电影,正是由于“放映”这一环节而获得了自身独具的品格,也正是因放映员的当下参与,而凭添了几分或神秘闲适或亲切从容的意味。在整个新中国文化事业的大叙事中,电影发出了最强音,而在电影领域,与凋敝的创作形成鲜明对照的是繁盛的电影发行与放映(作为一种制度性的安排)。电影放映员就是这个大叙事中无数小叙事的参与者和执行者。
As a modem medium, movie has gained its unique position because of the tache of "projecting" . And it is because of the participation of movie projector that movie takes on some features of mysteriousness and leisureliness. Among all the cultural industry, movie has played the greatest part. While in the film field, the prosperous issuing and projecting is in sharp contrast with the depression of creation. Movie projectors were the participants in these narrations.
出处
《涪陵师范学院学报》
2007年第2期120-124,共5页
JOurnal of Fuling Teachers College
关键词
新中国
电影
放映员
身份
New China
film
movie projectors
identity