雅俗之论在明代文论中的展开

Literary Criticism on Refined and Popular in the Ming Dynasty

明代文学雅俗之论主要在诗论和曲论两个维面上展开。从诗学雅俗之论而言,明人做了三个方面的工作:一是结合诗学辨体理论对去俗崇雅予以细致探讨;二是对雅俗的具体转化及其相关因素与论题予以考察;三是出现了对雅俗之论予以消解的论说。从曲学雅俗之论而言,明人主要对戏曲用俗予以大力肯定,对戏曲雅俗的相成相生予以较深入的探讨。上述两个维面,为清代文学雅俗论的进一步展开、深化与成熟提供了平台。

The literary criticism on refined and popular in the Ming Dynasty, mainly unfolds in two aspects： poetry and drama criticism. From the poetry criticism on refined and popular, people in the Ming Dynasty mainly did the following three jobs： one is combining poetry difference style theory, discussing how to rid of popularization and advocate refinement; the other is inspecting the change between refined and popular, and relevant factors; the third is the argument of dispelling the refined and popular. From the drama criticism, people in the Ming Dynasty mainly exert great efforts in affirming the drama using popularization, and probe in depth the interplay between refined and popular. The two aspects provide the platform for the expanding, deepening and maturing of literary criticism on refined and popular in the Qing Dynasty.