“歌”与“诵”、“造篇”与“诵古”——秦汉赋诗形态的演化

Singing and Reciting:Producing and Repeating——the evolution of the form of Fu Shi from the Pre-Qin Dynasty to Han dynasty

本文根据先秦文献记载,对“不歌而诵谓之赋”的传统定义提出商榷,并考证了在春秋赋诗活动中,赋、歌、诵的本义,指出赋是诗的表达行为的总名,诗可歌可诵,所以赋义兼歌诵。歌与诵两种形式因为表现的主体和对象相同,在语义层面和某些特定场合下也可以相通。根据“赋”在汉代的语义拓展,我们考察了秦汉间从赋诗到辞赋创作文学形态的演化轨迹。

Through the textual research in Fu, singing and reciting in Spring- Autumn Dynasty, we put forward query on the traditional definition ＂Fu is Reciting but no singing, ＂. According to the relevant data concerning cultural heritages, we discussed the original meaning of Fu, singing, reciting, and their evolution. Then we investi- gate the form from Fu Shi（Delivering Poem） to the composing of Ci Fu.