从童真到自然:丰子恺散文的艺术风格

From Childlike Innocence to Nature:On Artistic Style of Feng Zikai's Essay

丰子恺散文在中国现代散文中独具特色,究其原因在于其艺术创作与对童真的追求、对佛理与艺术的探求密不可分,其中又以“童心”为最根本之要素。丰子恺屡屡自称“儿童崇拜者”、“老儿童”,因此应从童真之心入手分析其散文创作的艺术风格及其成因。丰子恺对童真的向往深受佛禅追究本性本心的感染,继而与他作为“现代最象艺术家的艺术家”对艺术“真”的追求相契合,最终形成其散文真淳自然的艺术风格及真即善即美的审美内涵。

Due to the unique artistic style and the pursuit of children＇s innocence spirit in his essay, Feng Zikai is one of the most popular essayists in modem Chinese literature. He also looked into the intricate relationship between Buddha theory and art in his essay. His childlike heart is especially impressive. Considering himself to be a worshiper of children, Feng Zikai often called himself ＂old child＂. The paper begins with his artistic style and explores how it is formed. His enthusiasm for childlike innocence is deeply affected by Buddha and Zen＇s seeking of self essentiality. The longing, being added to his pursuing for the truth of art as ＂the very artist in modern time＂, finally formed his naturalistic style and ＂truth is goodness and beauty＂ connotation of aesthetics.