青花瓷装饰艺术的构图布局研究

THE STUDY ON DESIGN AND LAYOUT OF BLUE AND WHITE PORCELAIN DECORATIVE ARTS

青花瓷的装饰图案构图,经历了延续数十年乃至上百年的传承,是历代陶瓷艺人们长期摸索、创造发明的结果,经过大量复制和不断改进而形成各种定型的装饰画面。“青白对比,水路穿插”是青花装饰图案构图中的重要规律。从纹样构图的组织,到蓝、白两色画面虚实空间的配置,都有一定的动势来取得相互间的配合联系,表现出整体的协调、完整和统一。

The design and layout of Chinese Blue and White Porcelain has almost one hundred years of inheritance. It＇ s the result of invention, improvement, and experiments from porcelain artists within several centuries. It finally formulated various forms of stereotyping and decorative images. Comparison on blue and white colors and drawing skills are two main aspects of the Chinese porcelain art. From the patterns on blue and white colors, the design and layout express the momentum of substantial and insubstantial space and the feeling of harmony, completeness and consistence.