从现象学看中国画技法及其创新

The New Perspective from Phenomenology on Technique and Its Innovation of Chinese Painting

中国画经过了几千年的漫漫历程,由稚拙而成熟,所使用的技法相应地日益丰富而多姿。然而成熟后的技法,程式化地陈陈相因,又易使中国画的发展陷入前进的泥沼。胡塞尔等人的现象学的观念为我们重新认识中国画技法及其创新提供了一个新的视角。

After thousands of years' development,Chinese paintings become riper and ripe. And the techniques it used are more colorful and become mature. However,the formulation after maturity and other factors made its development cut back. Husserl's phenomenology gives us a new perspective for our understanding of Chinese painting skills and its innovation.