摘要
秉承于先秦道家的《淮南子》,无论在哲学思想上,还是在音乐理论上,均是对道家思想的继承,并有进一步的发展,主要体现在“神主形从”说及其对音乐形神的论述中。
Since Huainanzi has inherited and developed Taoism in the pre-Qin period in terms of philosophical thinking and music theory,the article expounds on two concepts in the masterpiece, that is ,the "concept of principal spirit and subordinate form" and the "concept of music form and spirit".
出处
《东疆学刊》
2007年第2期75-78,共4页
Dongjiang Journal
关键词
《淮南子》
“神主形从”说
音乐形神观
Huainanzi,"concept of principal spirit and subordinate form", "concept of music form and spirit"