茅盾文学批评中的角色转换与内心冲突

Role Shift and Intrapsychic Conflicts of Maodun in his Literary Criticism

民国时代,茅盾一直处在主流之外,其文学批评体现出了鲜明的批判精神。随着自我改造运动的深入及身份的改变,茅盾在经历了一系列的心灵痛苦之后,逐渐成为官方文学与政治立场的代言人。其角色的转换过程,伴随着许多自相矛盾的言说,表现了茅盾在政治要求与文学规律之间难以两全的尴尬处境,以及与之伴生的心灵冲突。

Maodun was kept out of the mainstream literary criticism during the period of the Republic of China and his literary criticism embodied a salient critical spirit. With the progress of his self-reform and his shift of identity, Maodun went through a series of spiritual agony and gradually became the spokesman of the official literature and politics. With his role shift he produced some self-contradictory ideas, which mirrored Maodun＇ s dilemma between political pursuit and the laws in literature, as well as his intrapsychic conflicts.