理想和现实:两种审美视角的交融与渐离——以元代戏曲中的妓女形象为个案

Ideal and Reality: Blending and Fading out of the Angles of Aesthetic——Case Studies on the dramas Indited in Yuan Dynasty

受特定生活环境以及剧作家审美视角的限制,元代以妓女生活为主要反映对象的戏曲作品,表现出切近现实,渐离理想和切近理想,渐离现实的两种美学特质。前者以《小孙屠》、《酷寒亭》等剧为代表;后者以《救风尘》、《青衫泪》、《扬州梦》等剧为代表。这两类剧作不仅没有本质的区别,相反,它们还在审美视角的择取上,表现出绝对交融和相对渐离的统一性。

Be forced by circumstances and angles of aesthetic, dramas indited on the purpose of reflecting the lives of the prostitutes in Yuan dynasty showed the tendency of more to reality, less to ideals and more to ideals, less to reality. The former are represented by the dramas of Xiao Sun Tu, Kun Han Ting and the like; the latter by Jiu Feng Chen, Qing Shan Lei, Yangzhou Meng and the like. Both of the upper styles had no essential distinction, whereas, they showed a unity of visual of aesthetic in absolute blending and relatively fading out.