莎士比亚十四行诗中的多重复义被引量：7

Multiplicity in Shakespeare's Sonnets

下载PDF

导出

摘要莎士比亚的语言是个久经探讨的问题。莎翁具有高深的语言锤炼艺术,他经常巧妙地运用多种修辞手法,文采飞扬,言简意深。在十四行诗中,莎士比亚多处使用多重复义,具体体现在对不同行业词语的使用,文化典故的运用,以及丰富多彩的意象上,这种释义的多重性体现了诗人丰富的思想内涵,增强了诗歌的审美意境。从诗歌三复义的角度,即语言复义、文化复义和美学复义,分析十四行诗中的多重复义,重审其美妙意境。 Shakespeare＇s language leaves us with enduring charm and mystery since long time ago. Shakespeare owns perfect technique on employing language and wonderfully adopting many kinds of rhetoric in his works. In his Sonnets, Shakespeare applies multiplicity frequently, which embodies in the use of different industrial words, cultural allusions and rich and colorful images. The different interpretations of the multi-meaning words enhance the artistic conception of the poetry. From the perspective of poetry＇s three kinds of multiplicity, which is linguistic multiplicity, cultural multiplicity and aesthetic multiplicity, the multiple meanings of the words in the Sonnets are interpreted. The amazing artistic conception is re-surveyed.

作者马春丽

机构地区西南大学外国语学院

出处《重庆交通大学学报（社会科学版）》 2007年第2期83-89,共7页 Journal of Chongqing Jiaotong University:Social Sciences Edition

关键词莎士比亚十四行诗多重复义 Shakespeare sonnet multiplicity

分类号 I106.2 [文学—世界文学]

引文网络
相关文献

参考文献25

1[2]参见E.A.Abbott.A Shakespearean Grammar:An Attempt to Illustrate Some of the Differences Between Elizabethan and Modern English[M].New York:Dover Publications,Inc.,2003.153-158.
2[1]Abbott G A.A Shakespearian Grammar:An Attempt to Illustrate Some of the Differences Between Elizabethan and Modern English[M].Mineola,New York:Dover Publications,Inc.,2003.
3[2]Empson,William.Seven Types of Ambiguity[M].London:Chatto and Windus,1930.
4[3]Hulme,Hilda M.Explorations in Shakespeare's Language[M].New York:Longman,1977.
5[4]Joseph,Sister Miriam.Shakespeare's Use of the Arts of Language[M].New York:Longman,1947.
6[5]Lowers,James K.Shakespeare's Sonnets:Notes[M].Lincolm,Nebraska:Cliffs,1965.
7[6]Luo,Yimin.Time's Scythe:A Thematic Study of Shakespeare's Sonnets[M].Chengdu:Sichuan Dictionary Press,2004.
8[7]Mahood M M.Shakespeare's Wordplay[M].London and New York:Methuen & Co.Ltd.,1968; rpt.1979.
9[8]Partridge Eric.Shakespeare's bawdy[M].London:Routledge,1968.
10[9]Russell,Brown John.William Shakespeare:writing for performance[M].New York:ST·Martin's Press,1996.

二级参考文献20

1方平译.方平主编的诗歌体,《新莎士比亚全集》第2卷[M].石家庄:河北教育出版社,1988年版.第284页.
2Harry Levin, " Critical approaches to Shakespeare from 1660 to 1904, " in Shakespeare Studies,ed. Stanley Wells, Cambridge, England: Cambridge University Press, 1986, P222.
3Helen Vendler, The Art of Shakespeare" s Sonnets. P12 0.
4A. D. Cousins, Shakespeare" s Sonnets and Narrative Poems (Harlow, United Kingdom: Pearson Education Limited, 2000), P148, PI81- 182 note 12;Stephen Booth, ed., Shakespeare" s Sonnets, edited with Analytic Commentary (New Haven and London: Yale University Press, 1977), P546 -549.
5Jamse E. Person, Jr. and Sandra L. Williamson, eds., Shakespearean Criticism(Vol. 10. Detroit, Mich. : Gale Research Co., 1990), P147 - 153.
6James Schiffer, "Introduction: Reading New Life into Shakespeare's Sonnets: A Survey of Criticism" , Shakespeare' s Sonnets: Critical Essay(Shakespeare Criticism Seties. gen. ed., Philip C. Kolin, ed. James Schiffer. New York and London: Garland Publishing, Inc., 1999),PI9 -31.
7.《中国大百科全书》,哲学卷Ⅰ[M].北京,上海:中国大百科全书出版社,1987年版.第38页.
8Katherine Duncan - Jones, ed., Shakespeare" s Sonnets(The Arden Shakespeare. Nashville: Thomas Nelson and Sons Ltd., 1997), P126.
9Millar MacLure, ed., Christopher Marlowe: The Poems(Manchester, England: Manchester University, Press,1988).
10S. K. Heninger, Jr., Touches of Sweet Harmony:Pythagorean Cosmology and Renaissance Poetics(San Marino: the Huntington Library, 1974), P184.