摘要
今人多从音乐角度论定词源于隋唐燕乐。因燕乐受胡乐的影响,故可推出“胡乐入华而词生”的说法。李昌集先生认为“词体的发生,乃是唐代民间歌曲和语言双双发展的水到渠成。”岳珍女士赞同“词起源于隋唐燕乐”的说法,认为李文的新说是对“隋唐燕乐”的理解有误差。虽然燕乐中的胡乐对词的发展有不小的影响,但词的音乐来源多是多元的,而“倚声填词”的方法则很古老,词的源头应包括当是六朝的梁陈新曲。
Modem people argue that Ci originated from Yanyue (Yah music) during Sui and Tang dynasties from the viewpoint of music. Yanyue was influenced by Huyue (music of north minorities), so it may be inferred that "Huyue entered the central China and gave birth to Ci. " Mr. Li Chang-ji believed that "the emergence of Ci based on the mature development of folk songs and language in Tang dynasty. " Ms. Yue Zhen agreed with the opinion that the origin of "Ci was Yanyue in Sui and Tang", and considered the new explanation of Li Wen as a misunderstanding of "Yanyue in Sui and Tang". Although Huyue had considerable influence on the development of Ci, most Ci music came from more than one resource, and the way to"compcse Ci in accordance with the music" was too old. The origin of Ci should be Liang-Chen Xinqu (New Music) which first appeared in Liuchao Dynasty.
出处
《西华大学学报(哲学社会科学版)》
2007年第2期68-73,共6页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
燕乐
词体
倚声填词
起源
梁陈新曲
Yanyue
Ci
compose Ci in accordance with the music
origin
Liang-Chen Xinqu