摘要
通过大量文献资料的收集整理工作,理清了门神形成的三个历史原因；对武将门神神荼和郁垒、秦琼和尉迟恭分别进行了探讨,指出元明时期章回小说是使武将门神深入百姓的直接原因；应用图像学的方法对秦琼和尉迟恭门神图像特征和制作工艺进行了归类和分析,肯定彩绘门神早于木版年画,使人们更加清楚地认识传统宅门武将门神画的艺术特色。
Abucadnt collected documents are the base of this paper which investigates the three causes of the forming of door-gods. The representative door-knights, Shen Shu, Yu Lv, Qin Shubao and Wei Chigong are explored respectively to prove that the fictions in Yuan and Ming dynasties are the direct reason why door-gods are so popular among people. The arts and crafts of Qing Qiong and Wei Chigong are classified and analyzed by using methods of iconology to affirm that the colored door-god painting is earlier than door-gods xylograph and to make the art characteristics of door-god paintings clear.
出处
《家具与室内装饰》
2007年第3期64-67,共4页
Furniture & Interior Design
基金
中国包装总公司基金(04ZBkJC007)
关键词
门神
秦琼
尉迟恭
画像特征
Door-god
Qin Qiong
Wei Chigong
Figure Characteristics
