摘要
当彪罗首次执棒《特里斯坦》和《名歌手》时，理查．施特劳斯的父亲是慕尼黑皇家管弦乐团著名的圆号手。彪罗的迈宁根（Meiningen）乐团在慕尼黑巡回演出了十九场音乐会（施特劳斯指挥了为十三件管乐器创作的夜曲），到处都取得了成功。施特劳斯爸爸来到音乐厅的休息室，感谢彪罗为他的儿子所做的一切。彪罗听完他说的话，回答道：“……施特劳斯，你是我在慕尼黑乐团里最刻薄的敌人，在1865年和1868年的《特里斯坦》和《名歌手》的演出中，你竭尽所能伤害我。但是，”他指着小施特劳斯说，“这就是汉斯·冯·彪罗的报复。”于是父子两位施特劳斯灰溜溜走出了房间，一句话也没说。
The father of Richard Strauss was the celebrated horn player in the Royal Orchestra in Munich, when Tristan and the Meistersinger were produced for the first time under Bulow. Bulow＇s Meiningen Orchestra had finished a tour of nineteen concerts at Munich （where Richard had conducted his Serenade for thirteen wind instruments）, meeting everywhere with great success. Strauss pere went to the artists＇ room in the Odeon in Munich to thank Bulow for what he had done for his son. Bulow listened to his words, and replied：...Strauss, you were my bitterest enemy in the Munich Orchestra： did everything in your power to injure me when Tristan and the Meistersinger were produced in 1865 and ＇68. But,＇ pointing to youngt Richard, ＇such is the revenge of Hans von Bulow.＇ The two Strausses, father and son, slunk out of the room, without another word.
出处
《歌剧》
2007年第4期62-62,共1页
Opera
