论中国第六代导演电影的叙事策略

The Narrative Strategies of the Chinese Sixth-directors’ Movies

本文从电影叙事学的角度分析了第六代导演在情节结构编排、故事讲述和叙事语法三方面的叙事情策略:第六代导演大多选择边缘性的故事本体作为创作题材,故事情节编排呈现一种多元化格局;习惯把第一人称“我”作为叙述者,而且采用“内聚焦”性的讲述策略;其影片在拍摄手法、画面构成、剪辑方式和声音构成等语法方面都显示了独具的特点。

This article tries to analyze the peculiarity of the sixth-directors＇ composing in action-arranging, storytelling and narrative grammar. They always choose the marginal story as the subject matter. Their films present a multiplex style in action arranging, making the first-person as the storyteller and adopting the strategy of interior-focus. There are many special characters in the constitution of pictures plane, montage mode, screen technique and composing of the sound.