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吴昌硕“与古为新”的美学思想

On Wu Changshuo's Esthetic Thought of “Endowing the Old with the New”
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摘要 吴昌硕“与古为新”的绘画创新思想,在原文中意即引上古金石篆籀文字的笔法笔意入画,进行传统文人画的创新,深层而言是在文人画商品化的历史语境中,整合中国古代文化和艺术中富有活力的因子,赋予传统文人画新的生命质地,从而创作出适应市场需要和体现时代精神的绘画作品,所以他这种绘画创新思想具有与时俱进的艺术品格。 With an eye to innovate the traditional literators" painting, Wu Changshuo's innovative theory of "endowing the old with the new" in painting means to take in painting's significance of ancient seal handwriting's form and style, the profound meaning of which lies in the purpose, within the historical trend of the commercialization of the traditional literatots" paintings, of arousing and bringing out the vigorous factors of traditional Chinese culture and arts so as to endow the traditional literators" painting with the new vitality and create paintings that are market-oriented and embodied with the time spirits. To make a long sentence short, Wu's innovative theory in painting has the artistic quality of going forward with times.
作者 陈健毛
出处 《南通大学学报(社会科学版)》 2007年第2期33-36,共4页 Journal of Nantong University:Social Sciences Edition
关键词 吴昌硕 与古为新 文人画商品化 引书入画 时代精神 Wu Changshuo "endowing the old with the new" the commercialization of the literators" painting drawing calligraphy into painting time spirits
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参考文献1

  • 1国家教委高教司组编,张岱年,方克立.中国文化概论[M]北京师范大学出版社,1994.

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