晚明小品的文体发展历程

On the Style Development Course of Late Ming Sketch

就晚明小品文体发展的总体进程来看,其较大程度地摆脱了长期占据散文创作主流地位的以唐宋古文为代表的传统古文的主导性文体规范,达到了相对于后者的个性化水平的重大提高,并由此而使古代散文不再受载道宗旨的束缚而更为真实自由地抒发个体性灵。但这一目标的实现并非一帆风顺,其发展历程颇具波折,显示出由开放而渐趋收敛、由叛逆而渐趋回归,收敛中又不乏深化、回归中亦不乏反思的走势。

As far as the general style development course of the Late Ming Sketch is concerned, it, to a great extent, got away from the long-lasting traditional mainstream style stipulation of prose writing delegated by the works of Tang and Song and achieved the important development of the individual level. However, this course was by no means easy and went through a lot of twists and turns and experienced the development from expansion to gradual contraction, betrayal to gradual compliance, contraction with profound development and compliance with the trend of reflection.