邵洵美与西方唯美——颓废主义

Shao Xunmei and Western Aestheticism and Decadence

西方唯美主义在20世纪初在中国落地生根并于二三十年代得到了蓬勃发展。在这期间由于中国当时特殊的土壤以及接受者个人的期待视野,唯美主义的特性之一——“颓废”在上海文坛作家群手中得到了变本加厉的发扬光大,其中最著名的代表作家为邵洵美。本文试图从他的几部代表诗作《花一般的罪恶》、《我们的皇后》、《蛇》等来详细分析其作品与西方唯美—颓废主义的关联和变异,并进而分析造成这些变异的社会和个人因素。

Western Aestheticism was introduced into China in the beginning of 20th century and flourished in the 1920s and 1930s. During this period, one of its nature, namely ,＂ decadence＂ was further intensified during to the special social atmosphere and expectant vision of the writer group in Shanghai, among them Shao Xunmei was the most outstanding one. Thus the paper thoroughly explains the relations and differentiation between some of his master poems , such as , ＂Evil Like A Flower＂, ＂Our Queen＂ and ＂Snake＂ ,etc.. and western aestheticism. Then it also analyzes the social and personal factors which caused that differentiation.