摘要
大足石刻中的经典巨作之一——宝顶山石刻,与印度阿旃陀石窟构筑状况基本一致。艺术与环境的自然相生是众石窟追求的创造目标,但是,大足宝顶山石刻于此表现得更为突出,主要体现于三个方面:取境、借境和造境,将艺术之美自然发挥到了淋漓尽致的崇高境界,成为了石窟寺园林艺术杰出代表。
Baodingshan Grotto is one of the most outstanding works of Chongqing Dazu Grottos. It is similar to Ajanta Caves in India. The construction of Dazu grottos seeks after concordant relation between them and the natural environment, and Baodingshan Grotto is the most successful. First, it chose a proper position as the construction site. Second, it borrowed scenery from its natural environment. Third, it created a man- made environment.
出处
《大连大学学报》
2007年第2期103-107,共5页
Journal of Dalian University
关键词
大足宝顶山石刻
取境
借境
造境
Dazu Baodingshan grotto
choosing a proper position in the natural environment
borrowing scenery from the natural environment
creating a man- made environment