摘要
80年代以来,中国话剧以“舞台假定性”为起点开始了新长征。在先锋试验的潮流中,以林兆华、孟京辉的探索最引人注目。孟京辉戏剧大都得力于拼贴、戏仿手段的利用;林兆华的过人之处则是对剧本“第二主题”的深度挖掘。他们对“假定性”的独特理解,极大地丰富了舞台创作语汇。
Since the eighties, Chinese modern drama, taking ＂stage assumption as＂ starting point has started the new expedition. Among the avant-garde playwrights, Lin Zhaohua and Meng Jing hui are most impressive. Meng Jinghui＇s drama is benefited from collage and parody while Lin Zhao Hua ＂s excel in exploring the depth of the ＂second theme ＂. Their unique understanding of ＂assumption＂ has greatly enriched the stage creating vocabulary.
出处
《浙江海洋学院学报（人文科学版）》
2007年第1期25-29,共5页
Journal of Zhejiang Ocean University(Humane Science)
关键词
先锋戏剧
舞台假定性
拼贴
戏仿
avant-garde drama
stage assumption
collage
parody
