摘要
汉瓦当艺术和汉玺印艺术是绚烂夺目的汉代艺术设计形式中迷人的一枝双苞奇葩。两者虽不为同一目的而产生,但具有很多相通之处。它们在固定而规则的二维平面中对字体的变化、设计,对图形的使用,达到了非常高的水平,汉代的匠人们(设计师)对均衡、和谐的理解深刻而全面,他们在实践中反复完善着自己的均衡之计,创造出令人叹为观止的均衡之美。
The ancient eaves tiles of Han Dynasty and the royal seals of Han Dynasty are like a marvelous flower with two buds in the dazzling art design of Han Dynasty. Although neither was produced for the same aim , they had many associations. They live up to the high level of the diversity design of fonts and the application of graphics in a fixed and regular plane. The stylists of Han Dynasty had balance and harmonious comprehension of balanced design. They repeatedly perfect the skills of balance design. They had created an unrivaled sight of balanced beauty.
出处
《苏州教育学院学报》
2006年第4期117-120,共4页
Journal of Suzhou College of Education
关键词
汉瓦当
汉玺印
均衡设计
the ancient eaves tiles of Han Dynasty
the royal seals of Han Dynasty
the balanced design