摘要
本文通过对《玉台新咏》编者问题的研究,否定了学术界长期存在的梁代的萧统与萧纲的文学思想相对立的观点,并认为以《玉台新咏》为代表的陈代的文学思想较其前代具有重大变化,而这一变化乃是由女性文学观的出现而形成的。同时,本文以韩《香奁集序》为依据,进一步论证了《玉台新咏》确非徐陵所编纂。
Through a series of textual research on the editor of Yutai Xinyong, the author calls in question and negates the prevalent viewpoint that the literary the thought between Xiao Tong and Xiao Gang were completely opposed in the Liang State. He also holds that the concept of literature represented by Yutai Xinyong had changed a great deal since the Chen State. The primary factor for this kind of change was the appearance of female's literary thoughts. By offering additional evidence, the "Preface to Xianglian Ji" by Han Wo, the author stresses his point that Yutai Xinyong was really not edited by Xu-Ling.
出处
《复旦学报(社会科学版)》
CSSCI
北大核心
2007年第2期16-21,共6页
Fudan Journal(Social Sciences)