实践美学与后实践美学在论争中发展

The Development of Practical Aesthetics and Post-practical Aesthetics in Its Debates

被称为建国以来第三次美学论争的实践美学与后实践美学论争,主要围绕美学自身问题展开,是一次真正的美学论争。在论争中形成的实践美学、后实践美学、新实践美学各派相互碰撞、对话,产生了相互促进的效果。其中后实践美学借鉴西方现象学、存在论、解释学等思想资源,不断发展、完善。实践美学则步入了反思的阶段,回应后实践美学的批评,力图通过自我调节来弥补、修复自身的理论缺陷。而新实践美学,则对实践美学和后实践美学各有批判,试图改造实践美学,并在实践观的基础上,重建新的实践美学理论体系。从各派自身理论的发展,也映现出学术的争鸣对推动学术研究具有决定性的意义。

The contest between practical aesthetics and post-practical aesthetics has been the third aesthetic contest after 1949, which focuses on the aesthetic questions and is a real aesthetic contest. At the contest practical aesthetics, post-practical and new-practical aesthetics come into being. They collide, dialogue and progress with each other. Post-practical aesthetics uses western phenomenology, ontology and hermeneutic for reference and strives for perfection. Practical aesthetics turns into reflection and adjusts itself to make up its theory limitation. New-practical opposes practical aesthetics and post-practical aesthetics and tries to reconstruct practical aesthetics and build a new aesthetic theory-system.