摘要
通过对民国月份牌画的形成背景及其女性形象的介绍和分析,对其中女性形象的定位作出独特的解释,指出民国月份牌画中的女性形象在本质上是中国走向现代化的一种表征。
This thesis introduces and analyses the background of calendar painting in Republic of China and its female images, and makes forward a special interpretation of their position. It also points out these female images are essentially the symbols of China' s putting step on the process of modernization.
出处
《长沙民政职业技术学院学报》
2007年第1期109-110,共2页
Journal of Changsha Social Work College
关键词
月份牌
女性形象
现代化
calendar painting
female image
modernization