繁华散尽皆成空——曾朴与白先勇作品中“妖女人”形象浅析

Disappearance of Prosperity——Analysis of “wicked woman image” between Zeng Pu's Novels and Bai Xianyong's Novels

曾朴笔下的傅彩云与白先勇笔下的尹雪艳是中国小说中“妖女人”的两个典型。两人的性格各有特点,各自所代表的社会意义也不相同。傅彩云用自己放荡不羁的行为向男权中心社会挑战,作畸形的反抗,显示了晚清封建道德礼教的崩溃;而尹雪艳代表了死亡之神,为一个即将逝去的时代文化装点门面,其本身并不承担太多道德劝惩的功能。从她们身上可以看到中国小说中“妖女人”形象因时代风貌的不同而发生的变迁。这些鲜明的人物形象的塑造为我国小说女性人物注入了新的生命因子。

In the article, the author compares Fu Caiyun with Yin Xueyan, two famous women images in Chinese Novels, and analyses their own character features and their symbolism of that era. Moreover,the author points to the evolution of ＂wicked woman image＂ in Chinese norris in different periods. These article images bring women characters of Chinese novels new fives.