“意象的姿容”与“现实的身影”——简政珍诗歌艺术散论

Image Looking and Reality Form——Discussion of Jan Zhengzhen's Poetry Art

在中生代诗歌界中享有盛誉而成就卓著的台湾诗学家与诗人简政珍,有着比一般诗人更全面、更深入也更清醒的诗学观念和诗歌理想,并通过自己的诗歌创作实践使其得以有效实现。他以学者身份所坚持的平民化视角与草根精神及由此确立的真正意义上的知识分子写作态势、别具一格的意象叙述风格,对于当下大陆诗歌写作中存在的诸多问题,颇有不少可资印证和借鉴之处。

Jan Zhengzhen, a Taiwan poetics scholar and poet, enjoys a good reputation and outstanding achievement in the Mesozoic era poetry. He has more comprehensive, deeper and soberer poetic ideas and poetry ideals than the general Poets, and he realizes it effectively through his poetry creation practice. His persistence in the vision of common people and the stock spirits with an identity of a scholar, establishment of the trend of the intellectual writes in the real sense and the distinctive style Of the image narration can function as testification and reference for the many problems in mainland poetry writing.