4Ann Blake,“The London Observer:Doris Lessing”,in Ann Blake,Leela Gandhi and Sue Thomas eds.,England Through Colonial Eyes in Twentieth-Century Fiction,New York:Palgrave.2001,p.116.
5Paul Schlueter ed.,A Small Personal Voice:Doris Lessing,New York:Vintage Books,1975,p.66.
6Linda Kauffman,“The Golden Notebook:Anna Wulf's Schizoanalysis”,in Alice A.Parker & Elizabeth A.Meese eds.,Feminist Ctritical Negotiations,Amsterdam & Philadelphia:John Benjamins Publishing Company,1992,p.132,p.108,p.131.
7Marie A.Danziger,Text/Countertext:Postmodern Paranoia in Samuel Beckett,Doris Lessing and Philip Roth,New York:Peter Lang Publishing,Inc.,1996,p.74.
8Magali Cornier Michael,“Woolf's Between the Acts and Lessing's The Golden Notebook:From Modern to Postmodern Subjectivity,” in Ruth Saxton and Jean Tobin eds.,Woolf and Lessing,Breaking the Mold,New York.N.Y.:St.Martin's Press,Inc.,1994,p.48.
9Roberta Rubenstein,The Novelistic Vision of Doris Lessing:Breaking the Forms of Consciousness,Chicago:University of Illinois Press,1979,p.105.
10Sprague Claire,Rereading Doris Lessing:Narrative Patterns of Doubling and Repitition,Chapel Hill & London:The University of North Carolina Press,1987,introduction,p.3.
二级参考文献3
1多丽丝·莱辛.《金色笔记》.纽约：哈珀柯林斯出版社常备经典版，1999，第59页.
2安妮斯·普拉特,L．S．登伯(Annis Pratt and L．S．Dembo)编.《多丽丝·莱辛评论集》(Doris Lessing：Critical Studies).凯里.论文《<金色笔记>中的艺术与零实》("Art and Reality in The Golden Notebook”).
3凯里·卡普兰,埃伦·克罗南·罗斯(Carey Kaplan and Ellen Cronan Rose)编.《<金色笔记>教学方法》(Approaches to Teaching Lessing's The Golden Notebook).海因斯.《一部60年代的永不过时的书》(“A Sixties Book for All Seasons”).
