2Paul Auster,The New York Trilogy,New York:Penguin Books,1990,p.7,p.4,p.157,p.232,p.352,p.346,p.171,p.172,p.174,p.176,p.370,p.371,p.1.
3Linda Hutcheon,A Poetics of Postmodernism:History,Theory,Fiction,NY:Routledge,1988,p.16.
4Jacques Lacan,Ecrits:A Selection,trans.Alan Sheridan,New York:Norton,see Donald Hall,Subjectivity,NY:Routledge,2004,p.80.
5Alison Russell,“Deconstructing The New York Trilogy:Paul Auster's Anti-Detection Fiction,”in Critique:Studie in Contemporary Fiction,vol xxxi,No.2,(Winter 1990),pp.71-84.
6Victor E.Taylor and Charles E.Winquist,eds.,Encyclopedia of Postmodernism,London and New York:Routledge,2001,pp.15-16.
7Patrick Fuery and Nick Mansfield,Cultural Studies and Critical Theory,Oxford:Oxford University Press,2000,pp.77-78,p.71.
8乔治·瑞泽尔.《后现代社会理论》[M].华夏出版社,2003年版.第174页.
9Terry Eagleton,Literary Theory:An Introduction,MN:The University of Minnesota Press,1996,p.147.
