从“原型意象”之重建看经典理论的恒常性——关于电影《绿野仙踪》与《我心狂野》的比较研究

On the Constant of Classic Theory from the Perspective of the Reconstruction of “Archetype Image”:A Comparative Study on the Movies OZ Footprint and Wild at Heart

荣格以“集体无意识”和“原型”为基础建构其“原型批评”理论，不仅在文学创作中影响很大，而且在影视关学研究和影视作品分析中也有它一定的经典性。本文通过《绿野仙踪》与《我心狂野》的比较研究，认为重建后的“原型意象”恰恰讧明了“原型批评”理论在不同时代中始终具有其恒常性。经典之所以成为经典．是因为这种理论或方法总是不断地被人们引证或运用、评价，乃至在具体作品中加以创造性地发挥。

Carl Gustav Jung built the archetype theory based on ＂collectively unconscious＂ and ＂archetype＂. The influence of this theory is not only great in literature but also classic in the aesthetic research and work analysis in movie and TV. Through the comparative research of OZ footprint with wild at heart, this text tries to figure out that the reeonstruetion of ＂prototype image＂ exaetly proves the eonstant quality of ＂prototype theory＂ in the different ages. The reason why the elassie beeomes elassie is that this kind of theory or approaeh is eonstantly eited, applied, evaluated, and even innovatively developed in eerrain works.