摘要
陈师曾与傅抱石在中西绘画的态度上无论从创作理路还是观念抉择都有相近的路线,或者说陈师曾在中西绘画思想上对傅抱石有相当程度的影响。陈师曾、傅抱石站在中国画本位立场分别从文人画历史和西方现代艺术思潮中提炼出互通的理论支撑:个性解放与科学精神,反映出他们的中西绘画观念是一种既要维护传统价值又要顺应创新潮流的现实心态。
Chen Shizeng and Fu Baoshi share similar creation theory and idea on their attitude to Chinese and western paintings, or we can say that Chen influenced Fuquite a lot. Chen Shizeng and Fu Baoshi, standing on the standard of traditional Chinese painting, refined interflowing theoretical supports from the history of wenrenhu a (painting of man-of-letters) and western modern art thoughts: individual liberation and scientific spirit. This reflected that their idea on Chinese and western paintings was a kind of realistic one that is to preserve the traditional value as well as to follow the innovative trend.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2007年第2期116-118,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
陈师曾
傅抱石
中西绘画
传统
现代
Chen Shizeng
Fu Baoshi
Chinese and western painting
tradition
modern