摘要
在以往大量对鲁迅《伤逝》的释读之外,从涓生的叙述策略入手,剖析“五四”时代高举理想主义旗帜的知识分子,在他们企图以爱情为自由的维度来建构一种新的伦理时,却因为错失内在自由这一根本手段,从而表现出爱与意志的双重缺憾,从而引发人们对启蒙主义的深沉的悲剧体验。
Besides the great deal of interpretations of Lu Xun＇ s Melancholy over the Past, we began from the narration of the character Juansheng to make a profound analysis of the ＂May Fourth Time＂ intellectuals who were of idealism. When they intended to construct a new ethic based on the love out of free will, they, due to the lack of the means of their interior liberty, tended to show the loss of both love and will, which in a way inspired people＇s tragic experience of the enlightening ideas.
出处
《湘南学院学报》
2007年第1期48-52,共5页
Journal of Xiangnan University
关键词
对象化抽象
自我确证
内在自由
爱与意志
悲剧体验
abstract subject
self-assurance
interior liberty
love and will
tragic experience
