摘要
爱森斯坦在《蒙太奇论》里面大量引用了“镜头以外”的文学艺术历史上的例证论述电影蒙太奇的原理,本文试图从爱森斯坦蒙太奇例证之外的“建筑镜头”中探寻建筑与其他艺术形式在蒙太奇框架下的渊源关系,给建筑语言的归纳和组织一些清新的启示。
Eisenstein expatiated Montage Theorywith a mount of literary ＆ artistic examples which out side of the camera lens. With the methods of Montage Theory, this article discusses the relationship between architecture and other artistic forms in order to give more apocalypses to modern architecture design.
出处
《中外建筑》
2007年第3期38-41,共4页
Chinese & Overseas Architecture
关键词
蒙太奇
镜头
建筑片断
Montage
Camera Lens
Architectural snippets
