中国雅乐在朝鲜半岛的传承与变迁

The Impart and Inherit with Variance of Chinese Ceremonial Classic Music at Korea Peninsula

起源于西周礼乐制度的中国雅乐,经历了汉魏六朝,到了隋、唐时期开始向着东亚传播。宋朝时,大晟雅乐传播到了朝鲜半岛,并对其本民族的音乐产生了深刻的影响。那么中国的雅乐在进入朝鲜半岛以后发生了怎样的传承与变迁是一个值得探讨的问题,同时这一方面的研究至今甚少,以至中朝古代间具有何种传承关系一直没有得到深入的研究和清晰的认识。本文拟以雅乐为具体事例,对中朝两国的雅乐在使用功能、乐队编制、历史变迁等方面进行对比研究,从历史文献的调查与现时朝鲜李家王朝传承雅乐的综合、通盘性考察,试图对朝鲜雅乐的历史形成、传承变迁,以及朝鲜半岛对中国音乐文化接受的形式、姿态、能力等作全面的分析和认知。

The Chinese Yayue （ceremonial classic music ）came from court hymns of the Western Zhou Dynasty, and it started to disseminate to East Asia in Tang Dynasty. The Yayue arrived in Korea peninsula in Song Dynasty, which profound affected its folk music. The writer comparative researched Yayue in two countries with their usage founction, band organizations, historical transmute, to get the complete cognition on the Korean ceremonial classic music, as well as Korean＇s attitude to take in the Chinese musical culture.