摘要
文章以古筝的演奏技法为切入点,以其发展过程中的流变为脉络,记述古筝在初创时期(战国时期)和繁荣时期(唐代)的演奏技法概况,辨析近代形成的古筝各流派演奏技法的文化内涵和技术特点,阐述当前古筝演奏技术训练中存在的不同观念以及个人的见解。
From the point of guzheng performance technique, the paper recorded and narrated the general situation of guzheng playing skill in ancient time and its transform during the progress of developing. The writer differentiated and analyzes the cultural intension of each school with the technique features formed in modern times, he also discussed the different opinions existed in its teaching program currently, and gave his viewpoint on those issues.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2007年第2期133-139,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
古筝
演奏技法
流变
流派
文化内涵
教学
guzheng, performance technique, hand down with transform, school, cultural inten sion, teaching
