程式内的创新与模式外的建构——茅盾短篇小说视角模式研究

Innovation within the Formality and Creation out of the Mode:About the Mode of the Visual Angle of Mao Dun's Short Stories

从视角模式的角度看,茅盾的短篇小说几乎全部属于第三人称视角模式,其中包含编辑型全知叙述、中立型全知叙述、有限全知叙述、第三人称人物内视角叙述等多种类型;个别篇章情形稍显复杂,出现了二度叙事。但茅盾绝不循规蹈矩,而是既关注程式内的创新,又重视模式外的建构,以充分挖掘各种视角模式的不同修辞功能。这种形式实验的成功,一方面显示了作家天才的艺术创造力,另一方面对当代文学创作亦不无借鉴意义。

From the perspective of visual mode, the short stories of Mao Dun belong to the mode of the visual angle of the third person, comprising the traditional copy - edit omniscient narration, the neutral omniscient narration, the restricted omniscient narration, the third person inside visual angle narration and so on. A few of his novels had double narrations. But Mao Dun does not stick to the old ways, he not only pays attention to innovation in the nile, but also lays stress on creation out of the mode, so as to dredge the rhetoric function of the mode of the visual angle. The success of the experiment for the novel as a literary form, on the one hand,it not only shows the author＇s great creativity,but also offers reference to the literature of the contemporary era on the other.