摘要
主客二分的思维模式无法进入审美本源性的探讨;海德格尔的“时间性”思想则为追寻存在本源开启了一个构成境域,从而审美也只有放在时间性的境域中加以考察,才能回归至本源状态,揭示其本质。本文对审美状态的时间性生成进行了现象学的描述,并标识出时间中审美的特性:审美状态中陶醉的到时与美的显-现。
The thinking model of dichotomy between the subject and the object is unable to enter the exploration on the primacy of aesthetic. Heidegger' s theory of Zeilichkeit opens a constitutional Horizant for the probing of the primacy of Sein. Thus the aesthetic judgment must be put into the time boundary to return the state. The present paper offers a phe- nomenological description to the aesthetic conditions of time becoming, and marks the attributes of aesthetic judgment in Zeilichkeit : the Zeitigung of revels and appearance of the beauty in aesthetic judgment.
出处
《山东师范大学学报(人文社会科学版)》
北大核心
2007年第2期54-57,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
审美
时间性
生成
陶醉
显~现
the appreciation of aesthetic
Zeilichkeit
becoming
revels
appearance