戴复古山水诗的写意艺术

Artistic Conception of Scenic Poems Written by Dai Fugu

戴复古的山水诗不仅注重抒写胸中丰富的情理世界,在审美艺术上也取得不凡的成就。总体上看,戴诗不作一般的敷彩设色,而是表现出较强的写意艺术,扩大诗的审美内涵;在审美空白艺术方面也有着过人之处,追求虚静空灵的审美意境,句清意新,极富美的张力。审美空白艺术到唐人手中逐渐成为一种成熟的美学规范,宋代以后得以深化和完善,戴复古在其间也作出了可贵的探索。

Dai Fugu＇s scenic poems not only expressed the varied emotions in his mind, but were remarkable achievements on aesthetic art. Generally his poems show strong artistic conception and aesthetic connotation rather than the colors. Furthermore, the poems, with clear sentences and creative meanings, pursued the conception of visionary emptiness, which embodied its forte on emptiness aesthetic art and power of beauty. Dai Fugu had done valuable research on emptiness aesthetic art for the development from Tang Dynasty when the emptiness aesthetic art became a ripe aesthetics standard to Song Dynasty when it was deepened and perfected.